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Natalie Dessay (; born Nathalie Dessaix, 19 April 1965, in Lyon) is a French opera singer who had a highly acclaimed career as a coloratura soprano before leaving the opera stage on 15 October 2013. She dropped the silent "h" in her first name in honor of Natalie Wood when she was in grade school and subsequently simplified the spelling of her surname. ==Career== In her youth, Dessay had intended to be a ballet dancer, and then an actress. She discovered her talent for singing while taking acting classes, and shifted her artistic focus to music. Dessay was encouraged to study voice at the Conservatoire de Bordeaux and gained experience as a chorister in Toulouse. At the competition ''Les Voix Nouvelles'', run by France Télécom, she was awarded First Prize (''Premier Prix de Concours'') followed by a year's study at Paris Opera's ''Ecole d'Art Lyrique'', where she sang "Elisa" in Mozart's ''Il re pastore''. Also, she entered the ''International Mozart Competition'' at Vienna State Opera, winning First Prize. She was quickly approached by a number of theatres, and subsequently sang "Blondchen", "Madame Herz" (in ''Der Schauspieldirektor''), "Zerbinetta" and "Zaïde" at the Opéra National de Lyon and the Opéra Bastille, as well as "Adele" in ''Die Fledermaus'' in Geneva. In April and May 1992 at the Opéra Bastille, she sang the role of "Olympia" in ''The Tales of Hoffmann'' with José van Dam. The Roman Polanski production was not well received, but it began the road to stardom for Dessay. Although she was soon featured in another production of ''Hoffmann'', it would be over ten years before her return to the Paris Opera in the same role. Soon after her ''Hoffmann'' run, Dessay joined the Vienna State Opera as Blondchen in Mozart's ''Die Entführung aus dem Serail''. In December 1993, she was asked to replace Cheryl Studer in one of the three female roles in a production of ''Hoffmann'' at the Vienna State Opera. She attended a performance where Barbara Bonney had sung Sophie in Richard Strauss' ''Der Rosenkavalier'' under Carlos Kleiber. Dessay was cast in the same role with another conductor. Blondchen in ''Die Entführung'' and Zerbinetta in ''Ariadne auf Naxos'' became her best-known and most often played roles. In October 1994, Dessay made her Metropolitan Opera debut in New York in the role of Fiakermilli in Strauss's ''Arabella'', and returned there in September 1997 as Zerbinetta and in February 1998 as Olympia. At the Aix-en-Provence Festival, Dessay first performed the role of the Queen of the Night in Mozart's ''The Magic Flute''. Although she was hesitant to perform the role, saying that she didn't want to play any evil characters, director Robert Carsen convinced her that this Queen would be different, almost a sister to Pamina; Dessay agreed to do the role. During the 2001–2002 season in Vienna, she began to experience vocal difficulties and had to be replaced in almost all of the performances of ''La sonnambula''. Subsequently, she was forced to cancel several other performances, including the French version of ''Lucia di Lammermoor'' in Lyon and a Zerbinetta at the Royal Opera House in London. She withdrew from the stage and underwent surgery on one of her vocal cords in July 2002. In February 2003, she returned to live performances in a Paris concert. Later, she cancelled and had further surgery, but by mid-2005 she was back on stage. In the summer of 2003, Dessay gave her first US recital in Santa Fe. She was so attracted to New Mexico in general, and to Santa Fe in particular, that the Santa Fe Opera quickly rearranged its schedule to feature her in a new production of ''La sonnambula'' during the 2004 season.〔Phillip Huscher, ''The Santa Fe Opera: An American Pioneer'', Santa Fe Opera, 2006, p. 148.〕 She returned to Santa Fe in the 2006 season as Pamina in ''The Magic Flute'' and gave her first performance in the role of Violetta in ''La traviata''〔 there on 3 July 2009 in a production staged by Laurent Pelly. Her husband, Laurent Naouri, appeared as her lover's father, Giorgio Germont.〔(Santa Fe Opera's web site listing the 2009 season )〕 Dessay's 2006/2007 season schedule included ''Lucia di Lammermoor'' and ''La sonnambula'' in Paris, ''La fille du régiment'' directed by Laurent Pelly in London and Vienna, and a ''Manon'' in Barcelona. She appeared in two new productions during the 2007–08 season at the Met: as Lucia on opening night, and in a reprise of the London production of ''La fille du régiment''.〔("Met to Add Seven New Productions for 2007–8" ) by Daniel J. Wakin, ''The New York Times'', (27 February 2007)〕 In January 2009 she sang the part of Mélisande in a much acclaimed production of ''Pelléas et Mélisande'' by Claude Debussy at the Theater an der Wien, Vienna's second world-class opera house, alongside Laurent Naouri. On 2 March 2009, Dessay sang the title role in ''La sonnambula'' at the New York Metropolitan Opera. It was the first new production of the opera at the Met since Joan Sutherland sang the title role in 1963.〔(Dessay, Natalie (Soprano) ), Metropolitan Opera Database. Accessed 6 October 2013.〕 In February 2012, Dessay said in an interview with ''Le Figaro'' that she would take a sabbatical from opera performance in 2015.〔("Natalie Dessay: 'Je veux change de monde!'" ) by Thierry Hillériteau, ''Le Figaro'' (15 February 2012) 〕 2013 saw the release of ''Becoming Traviata'', a documentary film about Dessay's role as Violetta in a production of ''La traviata'', directed by Jean-François Sivadier, with musical direction by Louis Langrée. The documentary chronicles the development of the production of Verdi's opera for the Aix-en-Provence Festival in France and subsequently staged for her at the Vienna State Opera. In an interview published in ''Le Figaro'' on 4 October 2013, Dessay announced that the final operatic performance of her career would be in the title role of Massenet's ''Manon'' at the Théâtre du Capitole in Toulouse on 15 October 2013. She further stated her intention to continue her performing career as a dramatic actress and chansonnier.〔("Natalie Dessay, le chant du départ" ) by Thierry Hillériteau, ''Le Figaro'', 4 October 2013. Quote: "" (As I tell my friends, it is not I who is quitting opera; opera is quitting me.)〕 In May 2014 she released a new album, ''Rio-Paris.'' 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Natalie Dessay」の詳細全文を読む スポンサード リンク
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